Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Woman Stumbles Upon Blueprint of Her Cottage, Then Sees Its Center Marked in Red
Anna returned home from the cafe, packed her belongings, and drove to her grandfather’s house in the countryside. It was a small blue cottage with a wooden door, very different from Anna’s in Cleveland, but here she could find peace and a well-deserved break from housework and, especially, Edward’s lies.
The woman creaked open the gate upon arrival, but as she took a step forward towards the front door, she noticed a man lying unconscious in the yard with a shovel beside him. Blood had covered every square inch of the shovel as if someone had hit him on the head with it.
Anna called 911 right away and rushed the man to the hospital. Fortunately, they made it in time, and the man was out of danger. But when she got home from the hospital, she had another surprise in store for her. Her dear husband Edward was waiting for her at the cottage.
“I have been searching for you the whole day, Anna! You just disappeared without a trace. Where have you been?” Edward inquired.
“Because you were so preoccupied with your work and ‘client meetings,’ I decided to take a vacation with my baby,” Anna said indifferently. “It’s not as if I have to ask you for your permission for everything. Anyway, what are you doing here?”
Edward’s tone abruptly shifted. “Are you upset about something, honey? Do you want me to get you something?”
“No, Edward,” Anna retorted. “Right now, all I need is sleep. So, please move. And, yes, I’ll be sleeping alone, so you can sleep outside on the couch!”
Anna went to bed, but her thoughts kept returning to the man she’d discovered unconscious in her yard. What exactly was he doing here? Was she on the lookout for something? Is he familiar with me? And how did he get a head injury? Her head was racing with questions.
Anna fell asleep while trying to find answers for her inquisitive mind and was awakened by the sun the following day. It was mildly cold, so she reached out for the blanket, but she couldn’t find it.
She awoke, irritated, and was about to yell at Edward if he’d pulled it to his side when she realized she’d been sleeping alone.
However, as Anna looked around the room, she noticed it was in a terrible state. The blanket had been thrown on the floor, her room’s cupboard had open drawers, and her luggage had been opened and rummaged through.
If this is you, Edward, I swear you’re dead today! Anna was furious as she dashed into the living room. But that space was in no better shape. It was even messier than she’d found it when she first entered the house, and Edward was nowhere to be found.
She was about to go outside and check the yard for him, but just then, her gaze was drawn to a crumpled sheet of paper on the ground. When she picked it up, she discovered it was a blueprint for her cottage with a red circle at its center.
She dashed to the loft as it came under the circled region and discovered that, too, was messed up. Edward had vanished as if he didn’t exist, and the yard had been dug out in one corner.
Worried, she was about to call him, but just then she heard a voice from behind. “I’m sorry, but I hope I didn’t disturb you!” it said.
Anna turned around and discovered the man she’d saved the previous day standing at the doorstep. “Oh, it’s you! Are you all right now?” she worriedly inquired.
The man sighed as he looked around Anna’s house, which was in a state of disarray. “I was taken to the hospital on time thanks to your assistance,” he said. “By the way, my name is Andrew. Can I come inside, if you don’t mind? I’d like to speak with you about something…”
Anna offered tea to Andrew, and that’s when he started telling her the whole story. Andrew turned out to have cared for Anna’s grandfather in his final days. So, before his death, her grandfather told the kind man about the treasure hidden in the yard near his house.
“He also gave me a letter,” Andrew explained, “and it was addressed to you to an address in Florida. I went there, but you’d already left, so I waited until you came back so I could give it to you. I wasn’t there on his funeral day; otherwise, we could have met that day.”
Anna opened the letter and began reading it.
“Dear Anna, I hope you’re doing well,” the letter began, “I know it might come as a shock to you, but I have a box hidden in my yard, and there’s a map to it.”
“My grandfather gave it to me before he died, and I wanted to give it to you on your wedding day, but I’m sorry to say that your husband already has his eye on it. Edward is not who he appears to be. He came to see me after you two got married and overheard me talking to Andrew.”
“By the way, Andrew is the man who will most likely deliver this letter to you. The brooch you’ll find inside the box is worth millions of dollars, and it is a relic of our ancestors that has been passed down to us. Edward will not find it as long as he does not obtain the map. I hope you find it and keep it in a safe place. Love, Grandpa Silas.”
As Anna finished the letter, she showed a picture of Edward to Andrew. “Have you seen him around, or do you know him?”
“Oh, yes, he’s the man who comes here often. When I came here that day to clean the yard, I found him here, and he hit me over the head with a shovel.”
When Andrew said that, it all made sense: Edward’s sudden appearance at the cottage and his sudden disappearance. Anna immediately called the police and informed them of the situation. In no time, Edward was apprehended, and he confessed to the theft, and Anna was able to recover the brooch.
After the incident, Anna decided to cut all ties with Edward, who’s serving time in prison, and she and Andrew are now raising her son, Brandon, together.
What can we learn from this story?
You can’t escape karma. Edward decided to flee with the ancient brooch, but he was apprehended and punished for his actions.
Everything in life happens for a reason. If Anna hadn’t caught Edward cheating on her that day, she would never have found out the truth about Edward.
If you enjoyed this story, you might like this one about a young mother who found an old crib on her doorstep with an envelope inside.
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