A lot of parents dream of hitting the road in an RV with their kids, but not many families would choose to live that way full time. Well, that’s not the case with today’s featured Tiny House story! Meet are the Longneckers, a family of SIX that have been living full time in an RV for the last 5 years! They started out by downsizing into a fifth wheel trailer, but after a few years on the road, they realized it was too big. Parking their giant trailer was difficult, and they weren’t able to go off-the-beaten track as much as they would have liked. So they downsized once again! This time into a renovated vintage airstream.
TAKE A TOUR OF THIS FAMILY’S INCREDIBLE RENOVATED VINTAGE AIRSTREAM :
COST TO PURCHASE & RENOVATE AN AIRSTREAM
- The Longneckers were able to find a vintage airstream for just $13,000. That’s a steal when you consider the new airstream of the same size could retail for up to $96,000!
- Renovation costs were somewhere around $35,000
- So the total cost is estimated to be $48,000
FOLLOW TINY SHINY HOME ON INSTAGRAM
FEATURES OF THIS RENOVATED VINTAGE AIRSTREAM:
- Large kitchen
- Solar Power – 400 amp hour batteries
- Bathroom with shower & nature’s head compost toilet
- Desk/Office area so that Jonathan can work on the road
BUT…. WHERE DO THEY ALL SLEEP?
With very limited space in their renovated vintage airstream (only 220 square feet) the Longneckers had to get creative with their interior design. The four children share a sleeping space, with two parallel bunk beds in the middle of the trailer. The parents sleep at the end of the trailer, and every night they have to make their bed by folding down the dining table and re-arranging the couch cushions into a mattress. This process might seem like a pain to some, but sometimes creature comforts have to be sacrificed if you want to live tiny.
WHY LIVE IN AN AIRSTREAM WITH YOUR FAMILY?
The Longneckers have had some amazing experiences over the last five years. They hike and camp in some of the United States’s most beautiful locations, and they home school on the road. As a family, they are closer than most. The kids have formed strong bonds with each other. Everyone is happy, living together on the road, and isn’t that what we all want for our family?
WOULD YOU LIVE IN A TINY HOUSE OR AIRSTREAM WITH YOUR KIDS?
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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