In the 1990’s, Hunt was a household name with her breakout TV performance in the hit comedy series Mad About You, where she starred opposite Paul Reiser, who later starred in the Netflix series, Stranger Things.
She won four back-to-back Emmy Awards and three Golden Globes for her comedic portrayal of one half of a newlywed couple. She also directed some episodes, including the series finale in 1999.
Speaking with People, Hunt shared about her daughter and Reiser, “… My daughter loves Stranger Things so now when he calls she’s excited. She’s never seen an episode of Mad About You but she’s super psyched about Stranger Things!” Hunt has one daughter, born in 2004, with Matthew Carnahan, her partner of 16 years.
Hunt is also known for playing a storm chaser in the adrenaline-fueled movie Twister (1996), her Academy Award-winning role in 1997’s As Good as it Gets, starring next to Hollywood royalty, Jack Nicholson, and 2000’s Cast Away and What Women Want.
More recently, she plays a journalist in BBC’s World on Fire and has a recurring character on Blindspotting. She’s also loaned her skills as a director to shows like Californication, House of Lies and This is Us.
In 2021, she revealed she was working on a Twister reboot with a diverse cast of storm chasers “from HBCU [historically Black college and university],” but the story was rejected.
“I tried to get it made,” Hunt said in 2021. “I was going to direct it… We could barely get a meeting, and this is in June of 2020 when it was all about diversity. It would have been so cool.”
Universal Pictures is releasing Twisters, without Hunt, in July 2024.
Over the years, Hunt, who’s collected numerous awards and nominations, has been a staple in Hollywood culture with her timeless performances and beauty.
As one of the most recognizable faces in Hollywood–a face that through the years has matured, she’s recently been the topic of many conversations.
With a career spanning more than four decades, it’s common, and expected, that there would be natural physical changes but, as a celebrity, Hunt is not immune from unfiltered opinions coming from the public.
Speculation that she had plastic surgery started after an accident in 2019, where the SUV she was a passenger, was t-boned by another car, causing it to rollover. She was briefly hospitalized but fully recovered, and within one week, she was back to work filming the limited series reboot of Mad About You.
Speaking with People about reprising her role, Hunt said, “It was a very loving piece of work. We loved it. It would be fun to work on something that’s really about love. We’ll be older though — I hope people are prepared for that. I’m not prepared for it!”
Shortly after, Radar Online, posted an article suggesting the star too much plastic surgery. In the story, she’s referred to as “ageless,” followed by “mannequin-like” and “…her expression more static than usual.”
Fans however were quick to defend her. One wrote, “I’m not an expert on spotting facelifts and that but to me Helen Hunt today still looks like Helen Hunt from Mad About You, just older. Which is what happens when 3 decades pass, people get older.” Another wrote, “I think we are so used to seeing women who have puffed up their lips and lifted both eyes and forehead, that a woman who is aging normally looks odd to us.”
Tight-lipped about the rumours that she’s had a nip and tuck to smooth the wrinkles on her face, it’s possible that Hunt benefits from a makeup artist, who can achieve the same results with some magical strokes of their brush.
In fact, there are many Hollywood beauty secrets that keep celebrities looking ageless. Pairing a healthy diet and exercise with pricey non-surgical spa treatments have proven results!
Hunt is very active and isn’t shy about showing off her fit physique. In an interview, she explained “As a general rule, I tend to move. I don’t go to a gym ever. I don’t diet ever. I used to diet, but sometime after the eighties, it made me miserable, but I do like to walk, run, and I do like to surf when I can just to warm it up, and I do enjoy doing yoga when I can get there.”
As we all know, being a woman in Hollywood can be quite a challenge.
In a 2019 interview with The Hollywood Reporter, Hunt discussed how she has experienced being objectified throughout her career and how she hopes to help create a more inclusive.
“What are the great movies for younger women where they’re the protagonist [being] made now? You know what I mean? The whole thing — there’s no equal rights amendment. We’re fucked,” Hunt told Huffington Post in 2015.
Over the years, Hunt has been involved in various advocacy and philanthropic efforts to support women’s rights and empowerment – speaking up against objectification of women.
”I certainly drive around and I’m tired of the billboard where she’s barely in her underwear and they’re selling, you know, a watch or something,” Hunt said.
”I’m over it, to be honest.”
Facing judgements from the public can’t be easy, especially for celebrities who are out there doing their jobs, which is entertaining us.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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