33 Thomas Street: The Mysterious 29-Story Windowless Skyscraper in New York. What’s it use for?

In the heart of Lower Manhattan, an unusual 29-story skyscraper, devoid of windows, stands tall and mysterious. Its code name is Titanpointe, and it is located at 33 Thomas Street. This building has baffled New Yorkers for years.

The building, constructed in 1974, was designed to withstand atomic blasts and was initially intended to house vital telecommunications equipment. It was envisioned as a communication nerve center, fortified against nuclear threats, by the architectural firm John Carl Warnecke & Associates.

This imposing structure, a gray tower of concrete and granite soaring 550 feet into the New York skyline, remains, unlike any other building in its vicinity. Unlike neighboring residential and office buildings, it does not have a single window and remains unilluminated. At night, it takes on an eerie presence, and by day it casts a giant shadow, its square vents emitting a faint hum, often drowned out by the city’s bustling sounds.

For decades, 33 Thomas Street, also nicknamed the “Long Lines Building,” has captured the imagination of New Yorkers as one of the city’s weirdest and most iconic skyscrapers. But the true purpose of this enigmatic structure has remained largely concealed, shrouded in secrecy.

The Secret Behind 33 Thomas Street

Beyond its enigmatic exterior, 33 Thomas Street conceals a deeper secret. This building appears to be more than just a telecommunications hub. Evidence from documents obtained by NSA whistleblower Edward Snowden, along with architectural plans and interviews with former AT&T employees, suggests that 33 Thomas Street served as an NSA surveillance site, code-named Titanpointe.

The NSA’s involvement goes beyond mere speculation. Inside the building, there’s a major international gateway switch that routes phone calls between the U.S. and countries worldwide. The NSA is believed to have tapped into these calls from a secure facility within the AT&T building. This covert surveillance program has targeted not only international organizations like the United Nations, the International Monetary Fund, and the World Bank but also numerous countries, including U.S. allies.

While AT&T has cooperated with the NSA on surveillance, few details have emerged about the specific role of facilities like 33 Thomas Street in carrying out top-secret programs. The Snowden documents, however, provide unprecedented insight into how NSA equipment has been integrated into AT&T’s network in New York City. This integration reveals the methods and technology employed by the agency to gather communications data from the company’s systems.

The NSA’s presence within this iconic skyscraper raises questions about the boundaries of surveillance in the modern world. As Elizabeth Goitein, co-director of the liberty and national security program at the Brennan Center for Justice, points out, “This is yet more proof that our communications service providers have become, whether willingly or unwillingly, an arm of the surveillance state.” The deep integration of the NSA within domestic communications infrastructure challenges the notion that such surveillance can be neatly confined to non-American targets.

Fierce dispute between Karen Grassle and Michael Landon during filming for ‘Little House on the Prairie’

Karen Grassle rose to prominence as Caroline Ingalls Wilder in Little House on the Prairie. People enjoyed this series so much that it is still being watched today.

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Although most of the performers spoke about the fantastic vibe throughout filming, Karen spoke about a completely different atmosphere from her perspective.Image 2Little House is a classic show broadcast in over 100 countries and has never been removed from the airwaves since 1974. Because of their parts in the series, numerous actors have become well-known.Unfortunately, actor Michael Landon died in 1991, yet people remember him when they learn about this series.
Karen Grassle also created this series. She was born in 1942 and pursued an artistic career. After graduating, she travelled to London to study at the Royal Academy of Dramatic Arts before returning to the United States.Image 3
Life put Karen Grassle in the right location at the right moment. When the tryouts for the series were held, Karen was supposed to act on another project, but when she had to go to Los Angeles for that role, she couldn’t get tickets, and her agent called her and offered her a role in the series with Michael.Image 4
She later admitted that she was alone for her interview for the role of Caroline Ingalls. She also stated that everyone in the interview was exhausted because they had already cast everyone else. Yet, she was invited to go to the wardrobe after only a few lines.

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Karen landed the part and admitted she was terrified of what was to come, but Landon always tried to make everyone on a set laugh and feel good. He was under a lot of stress. Karen determined that her character should be based on her mother’s life experience, which greatly aided her.

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Although everyone enjoys filming, as the series grew in popularity, Karen felt she deserved more money because she is one of the main characters. This sparked a violent argument with her coworker Michael Landon. She said that Michael refused to pay her extra money when she asked to renegotiate the contract. This disagreement produced a schism in their relationship.

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Karen did not talk publicly about the incident or the break in their friendship at the time, but the two exchanged a polite phone call before the actor died.

Cindy, Michael’s widow, stated that, despite his serious appearance, her husband was very passionate about his work, always came home smiling, and was a good father.

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The other actors in Little House on the Prairie always claimed they had a great time on set, and Michael made everyone feel good and vital, no matter how significant or tiny their role was. Dean Butler, who played Landon, also had nothing but positive things to say about Michael and thought he was a true professional. Michael was attempting to make things more straightforward and pleasurable for everyone.

Michael also tried to ensure that the performers could return home in the evening and have dinner with their families. He believed that the key to success was to strike a balance between work and personal life.

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