Сlаudiа Саrdinаlе: Неrе’s whаt thе Itаliаn film iсоn lооks likе аt 85

Claudia Cardinale is Italy’s counterpart to France’s Brigitte Bardot. She quickly rose to stardom to almost just as quickly disappear from the scene later on. Now, Claudia Cardinale celebrates her 85th birthday.

The Italian star was originally discovered at a beauty contest held in 1957 by the  Unitalia film company. The “most beautiful Italian woman of Tunis” subsequently won a trip to the Venice Film Festival that was to become a decisive turning point in her life. The sultry young woman was born on April 15, 1938, in Tunis, the capital of Tunisia. Her mother was French, and her father Italian.

In 1958, Cardinale, known as CC, played her first role in “Goha” opposite Omar Sharif before being trained as an actress at the Italian Film Academy in Rome. Her talents as an actress renowned for her dauntless rambunctiousness gained her fame, and her gaze into the camera became legendary.

Famous director Luchino Visconti gave her minor roles in “Rocco and his Brothers” (1960), as well as in the historical drama “The Leopard” (1962) with Alain Delon. As she later recounted in a biographical interview, she rebuffed all of her famous  film partners,   Jean-Paul Belmondo, Marcello Mastroianni, Alain Delon and Burt Lancaster.

Cardinale and Delon (left) in a scene from "Il Gattopardo" by Luchino Visconti.
Claudia Cardinale appeared alongside famous actor Alain Delon in “Il Gattopardo” by Luchino ViscontiImage: AP

A beauty queen turned into a film diva

Cardinale is Italy’s counterpart of Brigitte Bardot. But in contrast to Bardot, Cardinale never appeared nude in a film: “I always thought it was more erotic to leave some room to imagination, hinting at things rather than showing everything,” she told the German magazine Stern in 2014.

CC achieved her breakthrough with her performance in the highly popular  Italo western “Once Upon a Time in the West” (1969). The classical western directed by Sergio Leone and starring Henry Fonda and Charles Bronson was shot in Rome’s Cinecittà studios and in Spain with some scenes set in Utah’s Monument Valley. The film that flopped in the US only acquired cult status in Europe. 

A scene from Fitzcarraldo featuring Cardinale in an old fashioned dress next to actor Klaus Kinski.
Cardinale also starred in the 1982 film “Fitzcarraldo” by Werner HerzogImage: picture-alliance / dpa

CC’s career already saw a downswing in the 1970s. She then turned to television films, especially entertainment films where she showed some talent as a comedian. She got her last main role in a movie in 1971 when she starred opposite her main rival, Brigitte Bardot, in the Italo western comedy “Frenchie King.” 

Spending time in a jungle with Werner Herzog 

Ten years later, CC starred in German director Werner Herzog’s historical film “Fitzcarraldo” (1981). Although Claudia Cardinale had a difficult time enduring the bouts of anger of her eccentric film partner Klaus Kinski, she greatly enjoyed shooting and working with director Werner Herzog: “Being in the middle of the jungle with insects all around me and nothing to eat was one of my most wonderful adventures,” she later stated.

Claudia Cardinale and other heroines of European film

Claudia Cardinale is seen as Italy’s counterpart to France’s Brigitte Bardot. The actress who became a star in the 1950s and 60s now celebrates her 85th birthday.

Claudia Cardinale

She’s the youngest of Italy’s three major female stars. Claudia Cardinale worked with outstanding directors like Luchino Visconti and Federico Fellini. She fascinated audiences with her charming smile and acting skills in westerns, among them “Once Upon a Time in the West” and “The Professionals” (pictured).

Gina Lollobrigida

One of the most highly acclaimed European stars of the 1950s and 60s was Gina Lollobrigida who was born in the East of Rome in 1927. “Lollo” even made it to Hollywood where she was equally showered with praise. In the 1970s, however, she withdrew from showbiz.

Sophia Loren

Another Italian actress, Sophia Loren, who was a few years younger than Lollo, became her fiercest rival. The mutual hatred and jealousy of the two stars was a frequent topic in tabloids. In contrast to Lollobrigida, Sophia Loren continued to perform in movies even as an older woman.

Brigitte Bardot

During the same time, another sexpot rose to stardom in France with movies like “And God Created Woman” and “Love is my Profession.” Brigitte Bardot, the superstar of the Grande Nation, withdrew from film production in the 1970s to devote herself to animal rights causes.

Catherine Deneuve

A decade later, Bardot’s compatriot Catherine Deneuve broke onto the film scene. Deneuve differed much from both Loren and Lollo by playing roles as aloof and myterious women early in her career. Deneueve’s talent as an actress guaranteed her success throughout her life.

Romy Schneider

The two decades between 1960 and 1980 were also the golden era of German-French actress Romy Schneider. Born in Vienna, she made her breakthrough in the German-speaking world as “Sissi” before moving to France. In Paris, she became one of the most charismatic and impressive actresses of European film scene. But in her private life, she was anything but lucky. She died in 1982.

Penélope Cruz

One of the most famous Europen actresses in recent decades is Spanish actress Penélope Cruz. Cruz started her career in her home country before achieving fame in other European countries and, finally, Hollywood. Her performances received a lot of acclaim, especially in films by director Pedro Almodóvar, among them “Volver” (pictured).

Irene Papas

After 1945, actresses from smaller European nations were able to conquer the hearts of audiences across Europe. One of them was Irene Papas who is also renowned as a singer in her home country, Greece. She celebrated her biggest success in “Zorba the Greek” (1964) before also working in other European countries, and in Hollywood.

Tatjana Samoilova

While films from Italy, France, Germany and England dominated the film scene during the postwar era, it should not be forgotten that eastern Europe had much to offer too. One of the biggest female stars of Russian film was certainly Tatjana Samoilova who achieved world fame with the movie “The Cranes are Flying” (1957).

Krystyna Janda

Polish actress Krystyna Janda became known in the 1970s for her performances in films by Polish director Andrzej Wajda. She then performed in international co-productions with stars like Lino Ventura. In her home country, Krystyna Janda is also known as a singer and an an author.

In 1993, CC received a Golden Lion for lifetime achievement at the Venice Film Festival to be followed in 2002 by an “honorary bear” at the Berlinale. The spirited actress performed in more than 100 films.

In 2017, CC once again drew attention at an international film festival. A photo depicting her as a young actress embellished a placard in Cannes where she had often been invited as an honorary guest. On April 15, Claudia Cardinale will turn 80. Happy birthday!

This article was originally published April 15, 2018 and updated.

MY DAUGHTER-IN-LAW TRIED TO SEDUCE MY HUSBAND FOR MONEY — SHE DIDN’T EXPECT HIM TO TELL ME ABOUT IT.

The aroma of freshly brewed coffee filled the kitchen, a comforting scent that usually signaled the start of a hectic workday. But yesterday, it was different. Yesterday, the kitchen held a quiet magic, a warmth that transcended the simple act of brewing coffee.

On the kitchen table, amidst the usual clutter of keys and mail, sat a neatly packed lunch bag. Beside it, a folded piece of paper, its edges slightly crumpled. A note.

My heart skipped a beat as I recognized the familiar, slightly slanted handwriting. It was Colton’s. Our 10-year-old foster son.

We’d opened our home to fostering after years of battling infertility. The empty rooms of our house had echoed with a longing that no amount of well-meaning advice could fill. We wanted to give a child a chance, a safe haven, a loving family.

Colton had arrived a year ago, a whirlwind of boundless energy and insatiable curiosity. He was a dreamer, a boy who found wonder in the simplest things. He loved riding his bike, exploring the neighborhood, and most of all, he loved helping in the kitchen, his eyes sparkling with the ambition of a future chef.

The note was simple, written in his characteristic, slightly misspelled script: “Lunch for you. Have a good day. Love Colton.”

And inside the lunch bag, a perfectly assembled sandwich, wrapped in wax paper, a small bag of chips, and a bruised but perfectly ripe apple.

It wasn’t just a sandwich. It wasn’t just a note. It was a testament to the bond we’d built, a tangible expression of the love that had blossomed between us.

For months, I’d felt a shift within me, a growing certainty that Colton wasn’t just a foster child, he was our son. The way he’d seamlessly woven himself into our lives, the way he’d filled the empty spaces in our hearts, it was undeniable.

That note, that simple gesture of love, solidified it. It was a quiet affirmation of what I already knew.

I shared the note with my wife, Sarah, her eyes welling up with tears as she read it. We looked at each other, a silent understanding passing between us. It was time.

Today, we made the decision official. We’re going to adopt Colton.

The paperwork is already underway, the legal process a mere formality compared to the emotional journey we’ve already undertaken. We’re planning a surprise for him, a small celebration to mark this momentous occasion.

We’ve decorated his room with balloons and streamers, a banner proclaiming “Welcome to your forever home!” We’ve baked his favorite chocolate chip cookies, and Sarah has even prepared a special dinner, a culinary masterpiece that would make any aspiring chef proud.

Tonight, when Colton returns from school, we’ll gather around the kitchen table, the same table where I found his note, and we’ll tell him the news.

I imagine his eyes widening with disbelief, then filling with tears of joy. I imagine him running into our arms, his small frame shaking with emotion.

And I know, with absolute certainty, that this is the best decision we’ve ever made. We’re not just giving Colton a home; he’s giving us a family, a love that’s richer and more profound than we ever imagined.

MY DAUGHTER-IN-LAW TRIED TO SEDUCE MY HUSBAND FOR MONEY — SHE DIDN’T EXPECT HIM TO TELL ME ABOUT IT.

Our son’s wedding was in full swing, and let me tell you, I was tearing up the dance floor with my boy! Seriously, I don’t think I’ve ever danced like that in my life. At some point, though, I realized I hadn’t seen the bride for at least 30 minutes.

Then my husband came up to me, looking tense. “We need to talk. Now,” he said. We stepped outside the hall, and what he told me made my jaw drop.

“I ran into our DIL in the hallway,” he started. “I hugged her and told her how much we love her. But apparently, she took it… differently. She said she loves me too — and even more than our son! Then she tried to kiss me on the lips!”

He continued, “I pushed her away, and she said she understood there might be witnesses here. Then she told me to meet her in her hotel room on the third floor in 20 minutes. I think we should both pay her a little visit.”

In 20 minutes, my husband, our relatives, and I opened the door to her hotel room. write a long story base on that above

The wedding reception was a blur of twinkling lights, joyous laughter, and the infectious rhythm of the band. I was lost in the moment, twirling my son around the dance floor, tears of happiness blurring my vision. It was a perfect day, a celebration of love and new beginnings.

But as the night wore on, a nagging unease crept into my heart. I hadn’t seen my daughter-in-law, Clara, for quite some time. She’d been a picture of radiant happiness during the ceremony, but now, she was nowhere to be found.

Then, my husband, Richard, approached me, his face etched with a seriousness that instantly sobered me. “We need to talk. Now,” he said, his voice low and urgent.

We stepped outside the grand ballroom, the sounds of the celebration fading into a muffled hum. Richard’s words, when he finally spoke, were like a slap in the face.

“I ran into Clara in the hallway,” he began, his voice tight. “I hugged her, told her how happy we were to have her as part of the family. You know, the usual father-in-law stuff.”

He paused, his eyes filled with disbelief. “But she… she took it differently. She said she loved me too. And then, she said she loved me more than our son.”

My breath hitched. “What?”

“She tried to kiss me,” he continued, his voice barely a whisper. “On the lips.”

I felt a wave of nausea wash over me. “No…”

“I pushed her away,” Richard said, his voice hardening. “And she said she understood there might be witnesses here. Then she told me to meet her in her hotel room on the third floor in twenty minutes. Said she wanted to talk.”

My mind raced, trying to comprehend what I was hearing. Clara, our son’s bride, attempting to seduce my husband? It was beyond comprehension.

“We’re going,” I said, my voice firm. “But we’re not going alone.”

We gathered a small group of our closest relatives, people we trusted implicitly. They were as shocked as we were, but they stood by us, their faces grim.

Twenty minutes later, we stood outside Clara’s hotel room, a knot of tension tightening in my chest. Richard knocked, a sharp, authoritative rap on the door.

Clara opened it, her eyes widening in surprise as she took in the crowd behind Richard. She was dressed in a silk robe, her hair slightly disheveled.

“What is this?” she asked, her voice trembling.

“We’re here for that conversation,” Richard said, his voice cold.

We entered the room, the silence heavy and charged. Clara’s eyes darted between us, her face flushed.

“I… I don’t know what you’re talking about,” she stammered.

“Don’t lie, Clara,” I said, my voice low and dangerous. “My husband told me everything.”

Her eyes flickered to Richard, then back to me. “He’s lying,” she said, her voice rising. “He’s the one who came onto me.”

“That’s enough,” Richard said, his voice cutting through the tension. “We’re not here to argue. We’re here to understand. Why?”

Clara’s facade crumbled. Tears streamed down her face. “I needed the money,” she sobbed. “I thought… I thought if I could get close to you, you’d help me.”

“Help you?” I asked, my voice incredulous. “By betraying our son?”

She didn’t answer. She just stood there, her shoulders shaking, her face buried in her hands.

We left her there, alone in her hotel room. The wedding was over, the celebration tainted. Our son was devastated, but he understood. The marriage was annulled, the betrayal too deep to forgive.

The aftermath was a whirlwind of hurt and confusion. But through it all, one thing remained clear: family was paramount. And we would always protect our own, no matter the cost.

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