Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner had a rough childhood and was raised in a family with four children. She and her siblings grew up in London and Venezuela. Tragedy befell her at a young age when her father unexpectedly passed away while mowing the lawn of their Hampstead home.
A month after his death, Kathleen and her family were kicked out of the UK by the foreign service. Turner and her family settled in Springfield, Missouri, all still grieving their father and former home.
As an adult, Tuner finally found peace after moving to New York to pursue an acting career. She had some luck on the stage – but her biggest break came when she was given the role of the femme fatale in 1981’s “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
In 2005, Turner starred as Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” and it was then that their marital problems came to a head. Turner became incredibly busy while acting in eight shows a week, and it appeared that Weiss wanted no time with her when she was home.
The two divorced amicably during that time, and Turner earned a Tony award nod for her time as Martha.
The star had also earned an Oscar nomination back in 1987 for her role in “Peggy Sue Got Married.” Her film career was alive and well during the 80’s, and she starred in a variety of blockbusters–three of which were with Michael Douglas.
However, in the 90’s, Kathleen experienced a medical setback when her neck locked, not allowing her to turn her head. In addition, her hands swelled to the point where she stopped being able to use them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
The culprit of her misfortune wound up being rheumatoid arthritis, a condition characterized by the swelling of the lining in our joints. This condition causes chronic pain that can be difficult to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
Kathleen turned to pills and alcohol to manage her pain. While these helped her to work, the habit of drinking vodka led to her passing out during rehearsals for shows like 2002’s stage production of “The Graduate.”
The actress actually went to rehab after the show stopped running, only to find out that she was not an alcoholic. Instead, she was told she simply needed to better track when she was taking her medications and their side effects.
Today, the actress does yoga and pilates to help manage the pain and remain nimble.
While better managing her pain, the star really began to focus on her stage career. While she did still occasionally work in film and television, she returned largely to her roots as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.s
Focusing on theatre has also allowed the star the time to focus on her passions of hers, such as volunteering at Amnesty International and working for Planned Parenthood of America.
A staunch feminist for most of her life, Turner has turned her doubtless strength to uplifting other women throughout her life. Her ideologies are represented clearly in Gloria Feldt’s 2008 memoir of the star, Send Yourself Roses.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
From the ‘Bundy Bounce’ to Household Mayhem: Unraveling the Comedic Genius of a 90s TV Classic
In the annals of classic television sitcoms, few moments have become as iconic and enduring as the “Bundy Bounce.” First introduced in a 1990s episode of the beloved series “Married… with Children,” this outrageous dance move, invented by the show’s resident fashionista Kelly Bundy, has lived on in the memories of fans for decades.
At the heart of this memorable sequence is a classic tale of sibling rivalry, as Kelly’s attempt to impress at a car audition is complicated by the meddling of her brother, Bud. But beyond the central plotline, this episode also delves into the Bundy family’s signature brand of chaotic humor, as the family matriarch, Peg, refuses to do any household chores, much to the dismay of her long-suffering husband, Al.
The episode opens with Kelly, the quintessential Bundy daughter, determined to land the coveted role of spokesperson for the new Allanté car. Recognizing that she needs to stand out from the competition, Kelly hatches a plan to wow the executives with a unique dance move that she dubs “The Bundy Bounce.”
“The Bundy Bounce” is a dynamic, high-energy routine that showcases Kelly’s confidence, sass, and flair for the dramatic. With its exaggerated hip movements and playful, almost mocking tone, the dance perfectly encapsulates Kelly’s larger-than-life personality and her unwavering desire to be the center of attention.
As Kelly prepares to unveil her showstopping routine at the audition, her brother Bud, ever the opportunist, decides to exploit his sister’s ambition for his own gain. Revealing Kelly’s dance to a rival contestant, Bud sets the stage for a dramatic showdown, with the fate of the Allanté spokesperson gig hanging in the balance.
The rivalry between Kelly and Bud has long been a source of humor and drama within the Bundy household, and this episode is no exception. As the two siblings vie for the spotlight, their animosity towards one another comes to a head, with each determined to outmaneuver the other.
Bud’s decision to share Kelly’s dance move with her competition not only jeopardizes Kelly’s chances at landing the job but also showcases the lengths the Bundy children will go to in order to one-up each other. This sibling dynamic is a crucial element of the show’s enduring appeal, as it taps into the universal experiences of family life and the push-and-pull of brotherly and sisterly relationships.
While the “Bundy Bounce” storyline takes center stage, the episode also features a hilarious subplot involving the family matriarch, Peg Bundy. Fed up with the constant demands of maintaining the household, Peg decides to go on a household strike, refusing to do any chores or cooking.
This decision sends the Bundy household into a tailspin, as Al, the family patriarch, is forced to confront just how dependent he is on Peg’s domestic labor. The resulting chaos, with dirty dishes piling up and the family left to fend for themselves, is a prime example of the show’s signature brand of over-the-top, slapstick humor.
In the decades since its original airing, the “Bundy Bounce” episode has cemented its place as a beloved classic within the “Married… with Children” canon. The iconic dance move, with its catchy rhythm and Kelly’s unforgettable performance, has become a touchstone for fans of the show, a moment that perfectly encapsulates the series’ irreverent spirit and the Bundy family’s unique brand of chaos.
Beyond the “Bundy Bounce” itself, the episode’s exploration of the family’s complex dynamics and its blend of humor, drama, and memorable characters have all contributed to its enduring legacy. As new generations discover the show, this episode continues to captivate and entertain, solidifying “Married… with Children” as a true sitcom masterpiece.
In the annals of classic television comedy, the “Bundy Bounce” episode of “Married… with Children” stands out as a shining example of the show’s ability to blend memorable characters, iconic moments, and relatable family dynamics into a truly engaging and entertaining whole. From Kelly’s showstopping dance moves to the Bundy household’s descent into domestic disarray, this episode is a testament to the series’ enduring appeal and its status as a beloved, genre-defining sitcom.
As fans continue to revisit this classic episode, the “Bundy Bounce” and the stories it encompasses will undoubtedly continue to captivate and entertain, cementing its place as a cornerstone of television history and a testament to the enduring power of the Bundy family’s unique brand of chaos.
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