Jennifer Aniston turned out at the Emmy FYC event for her acclaimed drama, The Morning Show, this past weekend, and her look was undeniably captivating.
But while many agreed that the actress looked nothing short of stunning in a sleeveless, deep red dress, complemented by a matching ruby pendant, there were other question marks that arose regarding her appearance. Namely, what sort of plastic surgery (if any) she has undergone in recent months.
The 55-year-old plays TV anchor Alex Levy on The Morning Show, and the Apple TV+ series has proven wildly popular.
The show’s success – coupled, of course, with Aniston’s iconic past as a star on arguably the most successful sitcom of all time, Friends – has seen her reputation surge in recent years. Aniston has never really experienced a ‘dip’ in her career, but her stock has certainly enjoyed a revival since The Morning Show first aired.
Indeed, for anyone old enough to have lived through the era of Friends, it’s almost strange to accept that in five years time, Aniston will be 60 years old.
Time flies, as they say, and even the wealthiest celebrities can’t help but age in front of our faces.James Devaney/WireImage
Or can they?
Well, it’s certainly not something the majority of them readily embrace. Quite the opposite in fact: those with inexhaustible bank accounts tend to doggedly fight the aging process – at least in so far as appearance is concerned – undergoing operations and treatments in a bid to keep themselves looking as young as possible.
Incidentally, Jennifer Aniston was reportedly seen leaving a well-known plastic surgery clinic in Connecticut only a few months ago, prompting speculation that she had gone under the knife.
The clinic in question, The Retreat At Split Rock, is said to specialize in expert upper and lower face lifts, costing around $50,000 to $100,000 each, as well as brow and eye lifts that cost around $30,000 each.
It hasn’t been officially confirmed whether or not Aniston underwent treatment – let’s be honest, which celebrities are completely open and honest about this sort of stuff? – but there are clearly a fair few people online who suspect her look isn’t one hundred percent natural.
Following her appearance at the aforementioned Emmy FYC in New York on Sunday, certain individuals couldn’t resist themselves in pointing out that she looked different to usual.
“What has she done to her face?’’ one wrote in the comments section of a Daily Mail article.
A second added: “Jen is desperately trying to hold on to her old Friends looks. It can’t happen, she is much older now […]’’
“Her face looks weird because of all the work she has had done. She would have looked better with less,” opined a third.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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