Goldberg’s departure from the United States, accompanied by Beyoncé, goes beyond mere personal support. It serves as a powerful declaration against the stifling cultural constraints that artists encounter when venturing into uncharted territories of creative expression. Goldberg elucidated, “When an artist as renowned as Beyoncé encounters resistance and criticism while exploring her musical roots and inspirations, it becomes evident that it is imperative to seek a haven that truly values and embraces artistic liberty.”
The planned departure of Goldberg and Beyoncé has ignited a broad conversation about the demands on artists and the significance of genres in music. Professionals in the industry contend that music, as with any art form, should be progressive and innovative. Dr. Lena Morris, an ethnomusicologist, remarks, “Genres have consistently transformed. The country music we perceive as ‘pure’ today was actually a fusion of blues, folk, and gospel music from the past. Beyoncé’s contributions carry on this legacy of mixing and reimagining.”
Advocates for Goldberg and Beyoncé emphasize that their departure could bring attention to the larger problem of minority artists being typecast into particular genres and pressured to remain in those boundaries. The online community has witnessed an increase in messages and hashtags such as #ArtistsWithoutBorders and #GenreEvolution, as supporters and peers express their opinions on the necessity for a broader and adaptable interpretation of music genres.
On the other hand, there are critics who argue that Beyoncé and Goldberg’s decision to leave the country may be seen as an exaggerated response. They propose that challenging the existing norms from within could potentially bring about more significant changes in the industry. Music critic Jason Keeler expressed, “Although I understand their frustration, abandoning the U.S. music scene could be interpreted as giving up rather than striving to broaden the scope of country music.”
As the ongoing debate persists, it is evident that the impact of Beyoncé’s Cowboy Carter and the resulting controversy has surpassed the realm of music, delving into deeper issues of cultural identity and artistic integrity. The discussions it has sparked regarding genre, race, and the future of the music industry are likely to shape how artists are perceived and granted the freedom to express themselves.
Looking forward, the departure of Goldberg and Beyoncé could establish a new standard for artists dealing with similar challenges, indicating that the international music scene may evolve into a fresh arena for creative freedom. This action might inspire more artists to search for environments that embrace diverse forms of artistic expression, potentially leading to a more interconnected and less genre-restricted music landscape.
In summary, Whoopi Goldberg’s choice to support Beyoncé and depart from the United States marks a pivotal moment for the music industry. It emphasizes the necessity for greater openness to artistic exploration and raises complex issues regarding cultural authenticity and the transformation of music genres. As these influential figures prepare for their next phase, the world observes and anticipates the impact of their bold decisions on the cultural realm.
‘DWTS’ star, mocked as orphan for spotty skin, dies at 29, – adoptive mom dies next day
The ballet world is mourning the death of Dancing with the Stars’ Michaela Mabinty DePrince, an inspirational ballerina who beat staggering odds to become one of the world’s most famous dancers.
Michaela, an orphan from war-torn Sierra Leone, was a dancer with the Boston Ballet who gained widespread notoriety after starring in the 2011 documentary First Position. She died September 10 at only 29.
Adding to the family’s tragic loss, Michaela’s adoptive mom – who rescued Michaela from the filthy shelter where she was told she was “too ugly” to find a family – died only 24 hours later.
After her father was brutally killed in war-torn Sierra Leone and her mother died from fever, four-year-old Michaela Mabinty DePrince was abandoned by her uncle in a shelter where staff every day tried to break her spirit.
Known then as “Number 27” a young Michaela had little hope of finding a family as she had vitiligo, a condition that causes patches of skin to lose pigmentation.
The young girl, called “the devil child” because of her patchy skin, was told repeatedly that she was too ugly to be picked.
“We were all ranked from the most favored to the least, and I was at the very bottom for being rebellious and having a skin condition called vitiligo, which produces white freckles on my neck and chest,” Michaela said, adding she slept on a grass sleeping mat with “Number 26.”
Aside from the vomit-stained nightgown she was wearing, all she had was a magazine, which according to Glamour had (literally) blown onto her face. And on the cover was a ballerina en pointe – a dancer supporting all her body weight on the tips of her toes.
“The dancer looked beautiful and happy, that’s what caught my eye,” Michaela tells Glamour. “I wanted to be happy.”
And the crumpled old photo of the ballerina was the first thing she handed Elaine DePrince, who took her to her new home in New Jersey.
“There was so much love right away,” said Michaela, who over the next two decades would be the prima ballerina on the cover of magazines. “I had never been surrounded by something like that.”
‘My life is proof’
Michaela’s passion for dancing was ignited at a young age, and she pursued her dreams with remarkable dedication.
In 2011, Michaela became one of the stars of First Position, a documentary that followed six gifted dancers leading up to the competition for a place in the prestigious American Ballet Theatre’s Jacqueline Kennedy Onassis School of Ballet (JKO)
She not only earned a spot but was also awarded a scholarship to study at JKO.
The same year the award-winning documentary was released, Michaela also appeared on Dancing with the Stars.
“My life is proof that no matter what situation you’re in, as long as you have a supportive family, you can achieve anything,” Michaela said.
In 2012, the talented ballerina joined the renowned Dance Theatre of Harlem, where she continued to shine as a rising star. Her exceptional talent and grace later led her to the Dutch National Ballet, where the War Child Ambassador further established herself as a formidable presence in the ballet world.
While she was living in Amsterdam and training for The Nutcracker, she received a call, inviting her to travel to New Orleans and dance in Beyonce’s hour-long video, Lemonade, which was released in 2016.
Speaking with the Wall Street Journal of meeting the pop sensation, Michaela said, “She walked up to me and said, ‘It’s such an honor to have you here.’ I was really cheesy and said, ‘The honor is mine.’ I was on cloud nine.”
‘Beacon of hope’
On September 10, her family released a heartbreaking message about the principal soloist with the Boston Ballet.
“Rest in Power,” the post starts about the dancer who died on September 10. “With pain in our hearts, we share the loss of star ballerina Michaela Mabinty DePrince, whose artistry touched countless hearts and whose spirit inspired many, leaving an indelible mark on the world of ballet, and beyond.”
The Facebook post describes Michaela as an inspiration who “stood as a beacon of hope for many, showing that no matter the obstacles, beauty and greatness can rise from the darkest of places.”
The cause of her death has not yet been released.
Mom ‘spared the pain’
Only 24 hours after Michaela’s sudden death, her doting adoptive mom Elaine DePrince died on September 11 “during a routine procedure in preparation for a surgery.”
A family statement on Facebook explains that at the time of Elaine’s death, she was unaware that her daughter had died.
“As unbelievable as it may seem, the two deaths were completely unrelated. The only way we can make sense of the senseless is that Elaine, who had already lost three children many years ago, was by the grace of God spared the pain of experiencing the loss of a fourth child.” The message continues, “What the family is going through right now is truly unimaginably painful. Grieving two family members who died within a 24-hour period is tragic and devastating. We continue to ask for privacy…”
Rest in peace Michaela and Elaine. Please share your thoughts with us and then share this story so we can all send a lot of love to the family and friends of this mother-daughter duo.
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