Optical illusions have been a source of fascination for centuries, and now they are being used to reveal hidden aspects of our personalities. This very test has become a popular way to discover our strengths and weaknesses. In this article, we will explore how it works and how it can help you determine if you have commitment issues.
The interpretation of the optical illusion personality test can vary depending on what you see first. Here are some common interpretations.
What do you see?

- If you see the cloud first, you may appear strong and resilient on the outside, but you are sensitive on the inside. This sensitivity makes you more vulnerable to heartbreak from the words and actions of others. You may find it difficult to commit to long-term relationships because of your fear of emotional pain. Mia Yilin, the creator of the video, further elaborated, stating, “You hate the idea of settling for someone and have very high standards when going into a relationship.”
- If you see the fish first, on the other hand, you may have a carpe diem mentality, understanding that life is short and precious. You are likely to seize opportunities and invest your energy wholeheartedly into things that interest you. Mia explained, “You have this mentality that since life is short, we might as well live life to the fullest.”

So, did you see the Fish or the Cloud first? Take pleasure in these puzzles as enjoyable distractions, but always bear in mind that they lack any scientific or psychological significance. Enjoy yourself and keep a smile on your face!
Now that you’ve discovered whether commitment issues are present in your life, don’t miss out on our upcoming article about optical illusions that can wake you up better than the most delightful cup of Nespresso.
Preview photo credit mia_yilin / Tiktok
Anita Ekberg: The Swedish Star Who Captivated Hollywood
Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.

Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood

Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom

However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood

Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
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