Garth Brooks and John Rich have been on opposite sides of the cultural spectrum for some time. Brooks is a kumbaya, peace-and-love liberal that is deathIy afraid of offending anyone as it might affect his bottom line. Rich, on the other hand, is an unapologetic patriot, willing to lose fans and money rather than betray his principles.
Ironically, the stances taken have earned Rich fans and likely more money, whiIe Brooks has taken blow after blow for his support of Bud Light and the faux tough talk he engaged in regarding the devastating boycott on the brand and his support for it in his soon to open Lower Broadway bar.
Brooks is regarded as one of the nicer people in country music, but calling Bud Light boycotters ‘a holes’ certainly didn’t endear him to anyone or earn any new fans. Rich, on the other hand, stopped selling the beer as a matter of business. People simply stopped buying it, so he stopped selling it.
Now that the Bud Light controversy Brooks stirred up has finally di-ed down, and the Ieft has turned their attention to Jason Aldean, a video by Brooks and his wife Trisha Yearwood has emerged that is sure to fire people back up and cost Brooks even more fans. In a weird TikTok video, Brooks and Yearwood talk about the w ar in Ukraine. While that isn’t unusual, as Ukraine is a favorite talking point for most liberals, the content of the message is what is surprising. So surprising that John Rich wasted no time in roasting the couple for the message.
Brooks, for some reason wearing a flat-brimmed hat with the stickers still on it, and Yearwood creepily say in unison: We stand with Ukraine. This, of course, is the company line of the leftist, as rich, liberal elites Iove nothing more than a cause that they can get behind where they don’t actually have to do anything.
From there, Yearwood and Brooks implore viewers to send more than “Iove and prayers” and, as Garth says, dig in your pockets.
Of course, the United States government has sent billions in aid aIready, but that doesn’t stop the tone-deaf duo from asking an American people that is already overwhelmingly against any involvement to send their own personal cash.
In the 1980s, this beautiful woman was on her way to becoming a Hollywood star
In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 69, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
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