Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner had a rough childhood and was raised in a family with four children. She and her siblings grew up in London and Venezuela. Tragedy befell her at a young age when her father unexpectedly passed away while mowing the lawn of their Hampstead home.
A month after his death, Kathleen and her family were kicked out of the UK by the foreign service. Turner and her family settled in Springfield, Missouri, all still grieving their father and former home.
As an adult, Tuner finally found peace after moving to New York to pursue an acting career. She had some luck on the stage – but her biggest break came when she was given the role of the femme fatale in 1981’s “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
In 2005, Turner starred as Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” and it was then that their marital problems came to a head. Turner became incredibly busy while acting in eight shows a week, and it appeared that Weiss wanted no time with her when she was home.
The two divorced amicably during that time, and Turner earned a Tony award nod for her time as Martha.
The star had also earned an Oscar nomination back in 1987 for her role in “Peggy Sue Got Married.” Her film career was alive and well during the 80’s, and she starred in a variety of blockbusters–three of which were with Michael Douglas.
However, in the 90’s, Kathleen experienced a medical setback when her neck locked, not allowing her to turn her head. In addition, her hands swelled to the point where she stopped being able to use them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
The culprit of her misfortune wound up being rheumatoid arthritis, a condition characterized by the swelling of the lining in our joints. This condition causes chronic pain that can be difficult to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
Kathleen turned to pills and alcohol to manage her pain. While these helped her to work, the habit of drinking vodka led to her passing out during rehearsals for shows like 2002’s stage production of “The Graduate.”
The actress actually went to rehab after the show stopped running, only to find out that she was not an alcoholic. Instead, she was told she simply needed to better track when she was taking her medications and their side effects.
Today, the actress does yoga and pilates to help manage the pain and remain nimble.
While better managing her pain, the star really began to focus on her stage career. While she did still occasionally work in film and television, she returned largely to her roots as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.s
Focusing on theatre has also allowed the star the time to focus on her passions of hers, such as volunteering at Amnesty International and working for Planned Parenthood of America.
A staunch feminist for most of her life, Turner has turned her doubtless strength to uplifting other women throughout her life. Her ideologies are represented clearly in Gloria Feldt’s 2008 memoir of the star, Send Yourself Roses.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
I Found a Girl Alone on a Dark Road – What I Saw When I Got Closer Will Haunt You
Driving alone on a foggy night, a mother sees a young girl in a torn dress, quiet and strangely familiar. As she drives closer, she notices the girl’s sad eyes, filled with secrets that might be best left unknown.
It was late, and the night seemed darker than ever. The fog hugged the car like a thick blanket, hiding everything beyond the headlights. I squinted ahead, holding the steering wheel tighter than usual.
“Just get home,” I whispered, rubbing my tired eyes. It had been a long day at work, and I couldn’t wait to crawl into bed.
I always avoided this road. I usually took the main highway, but tonight, I thought: A quick shortcut will save time.
Then, I noticed something in the distance. A shadow in the middle of the road. I slammed on the brakes, heart pounding. The outline was faint, but it was there in the mist.
“Please just be a tree or a mailbox,” I whispered, though I knew it wasn’t. As I drove closer, I realized it was a girl. She looked thin, and her white dress was in tatters.
A chill ran down my spine. Every instinct told me to turn back, but something held me there.
I cracked open the window, my voice shaky. “Are you okay?”
I stepped out of the car with a flashlight. The beam lit up her face, and I gasped, stumbling back. I knew that face. The pale skin, the wide eyes—it was my daughter.
“Emily?” I whispered, barely believing it. She looked at me, eyes empty and wide.
“Mommy?” Her voice was faint, like a distant echo.
Shock and relief overwhelmed me. It was Emily, my daughter who’d been missing for five years. She had vanished without a trace, and no one knew what had happened to her.
“Emily, oh my God… it’s you,” I stammered, stepping closer. “Are you hurt? Where have you been?”
She blinked slowly, her expression blank. “I… don’t know,” she murmured. Her voice was soft, like she hadn’t spoken in years.
I knelt in front of her, heart racing. “It’s okay, honey. It’s me. We’re going home now, alright?” I wrapped my coat around her thin shoulders and led her to the car. She sat silently in the passenger seat, staring out into the fog.
The drive home was quiet. I glanced over at her, but her face was blank, as if she were somewhere far away.
“Emily,” I asked gently, “do you remember anything? Anything at all?”
She didn’t look at me. “A room. It was dark. There was a man, but I can’t remember his face.”
My throat tightened. “You’re safe now, sweetheart. We’re going home.”
When we got home, she sat on the couch, looking around as if everything was unfamiliar. I asked if she remembered the place, but she only shrugged. Her voice was flat and empty.
“Mom,” she whispered, “I’m… cold.”
I wrapped a blanket around her, feeling her icy skin. The days that followed were tense. Emily was distant, barely speaking. The only time I heard her voice clearly was when she sang an old lullaby I used to sing to her. It felt strange because she shouldn’t have remembered it.
One day, I found her looking at old photo albums. Her fingers traced a picture of her father, Mark. He had died when she was a baby.
“Mom?” she said, confused. “I know him.”
I felt a chill. “That’s your dad, honey. I’ve told you about him.”
She shook her head slowly. “No, I know him from… the place.”
A cold wave of fear washed over me. Emily couldn’t remember Mark, but she knew someone who looked like him. It had to be his brother, Jake. They looked so alike, almost like twins.
I couldn’t ignore the feeling anymore. I needed answers.
The next morning, I drove to our old family cabin deep in the woods. It had been abandoned for years, but something felt off when I arrived. One of the windows was covered with a cloth. Why would someone do that?
I pushed the door open, dust swirling in the air. Everything was untouched except for a small room in the back. Inside, toys lay scattered, worn but well-loved. My heart sank. This was where Emily had been kept.
I called the police immediately. Hours later, Emily sat quietly with me as the officers searched the cabin. She clutched her blanket, looking small and sad.
“Mommy… I remember now,” she whispered. “It was Uncle Jake. He looked like Daddy, but different. He would bring food and hum that song.”
The police confirmed it that night. They found enough evidence to arrest Jake. He confessed, saying he had taken Emily to “protect” her, wanting her to rely on him. It was twisted and horrifying to realize he had been so close all this time.
When Emily heard the truth, she broke down, crying out the pain she had held inside for so long. I hugged her tightly, rocking her gently. “You’re safe now,” I whispered. “No one will take you away again.”
In the days that followed, Emily started to open up more. She would hum the lullaby at night, as if testing if it was safe to sing it again.
One evening, we sat together by the window. She leaned against me, and I softly hummed the lullaby like I used to. She looked up at me with a hint of peace in her eyes.
“I love you, Mommy,” she whispered.
Tears filled my eyes as I held her close. “I love you too, sweetheart. Forever.”
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