Nestled in Crossville, Tennessee, the world’s most colossal treehouse stood as a testament to an extraordinary vision.
Horace Burgess, its creator, claimed divine inspiration for the construction of what became known as “The Minister’s Tree House”. Since 1993, a staggering 250,000 nails were meticulously placed across its ten stories, all supported by the steadfast foundation of six mighty oaks.
Spanning over 3000 square meters, the living space amalgamated across its multiple floors. Remarkably, this wooden marvel, which took 14 years to complete, supposedly incurred a mere $12,000 in costs
What kind of person embarks on such an ambitious endeavor, you might wonder? Perhaps a lunatic, one might think. However, according to Burgess, God directed him to undertake this extraordinary project, promising an unending supply of wood.
True to his conviction, the treehouse featured a central space designed for both prayer and basketball games, along with a penthouse crowning its tenth floor. A substantial half-ton church bell further accentuated its grandeur.
Over the years, the countless planks that composed the treehouse bore witness to the marks left by intrigued tourists who flocked to witness this architectural wonder.
Despite its popularity, the treehouse faced closure in 2012 due to violations of local fire codes. Concerns mounted as the fire department feared the catastrophic consequences of a blaze in a structure entirely crafted from wood.
Regrettably, those fears materialized as the colossal treehouse succumbed to flames in less than half an hour. Standing at an impressive 97 feet in Crossville, Tennessee, the Minister’s Treehouse became engulfed in a destructive inferno.
Constructed through the 1990s with a promise that building a treehouse meant never running out of material, the structure comprised 80 rooms, including classrooms, bedrooms, and a kitchen. Supported by an 80-foot white oak tree, it featured a wraparound porch connecting the five stories with a winding stairway.
The interior, a blend of the quirky and spiritual, boasted a hand-carved Bible, towering cross, and wooden pews. The name “JESUS” was even mowed into the grass beneath the building, emphasizing its spiritual significance.
Tourism ceased in 2012 due to safety breaches, leading to its eventual closure by state fire marshals.
The demise of the Minister’s Treehouse was swift, and Captain Derek Carter of the Cumberland County Fire Department, who had visited the treehouse as a tourist in the past, described it as “very cool, but also very dangerous”.
For those who once marveled at its grandeur, the Minister’s Treehouse remains a cherished memory, even as it has now returned to the earth from which it was built.
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I Allowed a Homeless Woman to Stay in My Garage—One Day I Walked in Unannounced and Was Shocked by What I Saw
I tapped the steering wheel, trying to shake the weight on my chest, when I spotted a disheveled woman digging through a trash can. I slowed down, drawn in by her grim determination.
She looked fragile yet fierce, fighting for survival. Without thinking, I pulled over, rolled down my window, and asked, “Do you need help?”
Her response was sharp but tired: “You offering?”
“I just saw you there,” I admitted, stepping out. “It didn’t seem right.”
“What’s not right is life,” she scoffed, crossing her arms. “You don’t strike me as someone who knows much about that.”
“Maybe not,” I replied, then asked if she had a place to stay.
“No,” she said, and I felt compelled to offer my garage as a temporary home. To my surprise, she accepted, albeit reluctantly.
Over the next few days, we shared meals and conversations. Lexi’s sharp wit broke through my loneliness, but I could sense her hidden pain.
One afternoon, I barged into the garage and froze. There, sprawled across the floor, were grotesque paintings of me—chains, blood, a casket. Nausea hit me.
That night, I confronted her. “What are those paintings?”
Her face went pale. “I didn’t mean for you to see them. I was just… angry.”
“So you painted me as a monster?” I demanded.
She nodded, shame in her eyes. “I’m sorry.”
I struggled to forgive her. “I think it’s time for you to go.”
The next morning, I helped her pack and drove her to a shelter, giving her some money. Weeks passed, and I felt the loss of our connection.
Then, a package arrived—another painting. This one was serene, capturing a peace I hadn’t known. Inside was a note with Lexi’s name and number.
My heart raced as I called her. “I got your painting… it’s beautiful.”
“Thank you. I didn’t know if you’d like it,” she replied.
“You didn’t owe me anything,” I said, reflecting on my own unfairness.
“I’m sorry for what I painted,” she admitted. “You were just… there.”
“I forgave you the moment I saw that painting. Maybe we could start over.”
“I’d like that,” she said, a smile evident in her voice.
We made plans to meet again, and I felt a flicker of hope for what could be.
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