The morning sun, usually a welcome sight, cast harsh shadows on the woman standing on my porch, her face a mask of indignation. Mrs. Gable, Grandma’s “entitled neighbor,” as she so lovingly referred to her, was a force of nature, and not a particularly pleasant one.
“How long am I supposed to wait for my share of the will?!” she demanded, her voice a grating rasp that could curdle milk. “My grandkids are coming over, and I want them to take their part of the inheritance before they leave!”
I blinked, trying to process the sheer audacity of her statement. “Mrs. Gable,” I said, my voice calm despite the rising tide of annoyance, “Grandma’s will… it doesn’t mention you.”
Her eyes widened, then narrowed into slits. “Nonsense! We were like family! She wouldn’t leave me out.”
“I’m sorry,” I said, “but everything in the house now belongs to me.”
I offered a small concession. “I’ve packed some boxes for donation. You’re welcome to look through them, see if there’s anything you want.”
“Donation boxes?!” she shrieked. “Your grandma was like family to us! We had to be mentioned in the will. Give it to me! I have to see for myself.”
“I can’t do that,” I said, my patience wearing thin. “The will is a legal document.”
She planted her feet, a stubborn look on her face. “Then I’m not leaving. I’ll just stand here until you give me what’s mine.” She proceeded to stand directly in front of my porch, peering into my windows and muttering under her breath.
I sighed. This was getting ridiculous. I needed to give this woman a reality check, a gentle but firm reminder that she wasn’t entitled to anything.
I went inside, grabbed a pen and a scrap of paper, and returned to the porch. Mrs. Gable watched me, her eyes filled with suspicion.
“What’s that?” she asked, her voice laced with distrust.
“I’m writing you a bill,” I said, my voice deliberately casual.
“A bill? For what?”
“For services rendered,” I said, scribbling on the paper. “Let’s see… ‘Consultation regarding inheritance, one hour… $100.'”
Mrs. Gable’s face turned a shade of purple I didn’t think possible. “Are you serious?!”
“Perfectly,” I said, adding another line. “‘Unauthorized surveillance of private property, one hour… $50.'”
“That’s outrageous!” she sputtered.
“And,” I continued, adding a final line, “‘Emotional distress caused by unwarranted demands, one hour… $150.'” I handed her the paper. “That’ll be $300, Mrs. Gable.”
She snatched the paper from my hand, her eyes scanning the ludicrous list. “You can’t do this!”
“Actually, I can,” I said, a smile playing on my lips. “And if you don’t pay, I’ll have to add late fees.”
She crumpled the paper in her fist, her face a mask of fury. “You’re just like your grandma!” she hissed. “Entitled and selfish!”
“Perhaps,” I said, “but I’m also practical. And I value my peace of mind.”
She glared at me for a moment, then turned and stomped off the porch, muttering about lawyers and lawsuits. I watched her go, a sense of satisfaction washing over me.
Later that day, as I sorted through Grandma’s belongings, I found a small, velvet-lined box tucked away in a drawer. Inside was a handwritten note, addressed to me.
“My dearest grandchild,” it read, “I know Mrs. Gable can be… persistent. Remember, you owe no one anything. Your happiness is your own. And sometimes, a little bit of absurdity is the best way to deal with entitlement.”
I smiled, a warm feeling spreading through my chest. Grandma had known exactly what to do. And she had left me the perfect tool to handle it. I had learned a valuable lesson that day: sometimes, the best way to deal with entitled people is to meet their absurdity with your own. And a little bit of humor never hurts.
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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