When the Prince and Princess of Wales bought pizza for mountain rescue workers, they met a man selling pizza and wrote a touching funeral speech for him.
Father of two Peter Morris, who was 47 years old, died of cancer in May, not long after Kate was told she had it.
On notepaper from Kensington Palace, Prince William wrote his wife Tracey a letter of condolence. When he died, it was read.
“I can’t even begin to imagine what a huge hole he will leave in your life,” he wrote. “My heart goes out to you and your family.”
“Catherine and I had a great time meeting Pete.”
“We know Pete was a very dedicated and well-liked member of the community because of how people have responded to his death.”
“I wanted you to know that you and your family are thinking about you right now.”
In April of last year, Kate and Wills bought 12 pizzas from Peter’s converted VW van for £127.50. Peter is from Ebbw Vale in South Wales.
They gave the Central Beacons Mountain Rescue Team a choice of pizzas while they were at Dowlais Rugby Club in Merthyr Tydfil. The pizzas were margarita, pepperoni, BBQ chicken, and goats cheese.
At the time, Peter said, “They were really nice.” When I was setting up the business, I never would have thought that one day I would work for the young king.
In 2016, Pete opened Little Dragon Pizza Van.
He had beaten esophageal cancer, but doctors found it in his adrenal gland and liver four months after he became a royal. He died in less than a year, but the business keeps going.
The letter from William will be framed for Pete’s daughters, who are eight and five years old.
Tracey, who is 40 years old, told The Sun, “It was a huge surprise.” I have no idea how they learned that Pete had died. Because Kate is getting help, it may have struck a chord with them.
“He talked about how normal they were.”
“Many people wrote to tell us they loved Pete, but the letter from William and Kate was the most lovely.”
William wrote his wife Tracey a letter of condolence on paper from Kensington Palace.
King Charles Reveals His First Official Portrait, and People Are Terrified
In a much-anticipated reveal, King Charles III’s first official portrait since becoming king has sparked widespread conversation. Public reactions and critics’ opinions are far from mild, igniting lively debates on social media and among art enthusiasts. It’s evident that King Charles’ portrait is poised to be one of the most discussed royal artworks in recent memory.
Revealing the artwork
Recently, King Charles III revealed a new portrait of himself at Buckingham Palace, marking the first since his coronation. The Royal Family’s Instagram account posted an exclusive video showing the king presenting the artwork.
This notable portrait will eventually be showcased at Drapers’ Hall in London, joining its esteemed art collection and providing the public with a chance to see the monarch’s regal image.
The comments section quickly became a hotbed of debate.
The unveiling ignited a heated debate in the comments on the Royal Family’s Instagram post and other social media platforms. Opinions were sharply divided, with some users harshly criticizing the portrait. Comments included, “I would be very upset and offended if this was my royal portrait. It looks like a floating head in a sea of red. This is awful. Horrendous.”
One person said, “This is terrifying. Red is ALWAYS a bad sign unless it’s roses. This looks like a blood bath,” while another added, “It looks like it’s on fire.”
Despite the negative feedback, there were also positive remarks such as, “I love the portrait. It’s beautiful.” These mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has stirred among the public.
What it actually represents
Jonathan Yeo, a well-known artist renowned for his innovative style in painting people, has gained praise for his ability to merge classic techniques with new ideas in portraiture. Yeo’s method involves more than just painting what someone looks like; he delves deep into the personalities of his subjects to capture their true essence.
In his latest work portraying King Charles III, Yeo stayed true to this approach. He aimed to strip away any distractions in the painting, focusing solely on allowing viewers to connect with the person behind the royal title. By spending time with the king and understanding him on a personal level, Yeo was able to create a portrait that goes beyond surface appearances and reveals the human within.
In Yeo’s portrait of King Charles III, one striking detail is the presence of a butterfly. This butterfly isn’t just a random addition; it holds deep symbolism and serves multiple purposes. Yeo explained that beyond representing the beauty of nature, the butterfly also highlights the environmental causes that the King has long supported, even before they became widely discussed.
Moreover, the butterfly adds visual interest to the portrait, breaking the uniformity and adding layers of meaning. In art history, butterflies often symbolize transformation and renewal, mirroring the King’s journey from Prince to monarch during the time the portrait was painted. This choice underscores the significant changes in King Charles’s life.
Yeo expressed his gratitude for the opportunity to create such an important portrait, “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge and one which I thoroughly enjoyed and am immensely grateful for.”
Explore King Charles III’s life in-depth with 8 Things About King Charles III That Will Help Us Understand Him Better. Delve beyond his royal image to uncover intriguing insights into his interests, personal stories, and distinctive characteristics.
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