Do you intend to purchase the reasonably priced rotisserie chicken at Walmart? Let’s go over a few crucial points that you should think about before you decide.
Size Counts
The $4.98 price tag might appear like a fantastic deal at first. You might be disappointed to hear, though, that the actual amount of chicken you’ll get is less than two pounds. It weighs exactly one pound and thirteen ounces. You’re getting very little chicken for your hard-earned cash. But fear not—better alternatives are offered at the same cost. Think about going to Costco or Sam’s Club, where you can obtain a larger chicken without going over budget.
Taste and Quality
Even though Sam’s Club and Walmart are owned by the same company, their rotisserie chickens are not made equally. Similar to Costco’s well-known rotisserie chicken, Sam’s Club provides a substantial 3-pound chicken. Taste tests show that Costco’s chicken consistently beats out the competition because to its great flavor and juiciness. However, Walmart’s chicken isn’t always up to par. Therefore, you might want to consider alternative options if you’re looking for the ultimate flavor experience.
Unreliable Reviews
You should spend some time reading the reviews on Walmart’s product page before you buy a rotisserie chicken. Concerns about their chicken being overdone or undercooked have been voiced by numerous customers. It’s important to bear in mind this variation in quality.
Sodium Level
Walmart does have an advantage in one area, though, and that is with the amount of sodium in their rotisserie chicken. A 3-ounce portion at 690 mg of salt is slightly more than that of Costco at 460 mg and Sam’s Club at 550 mg. But if you watch how much sodium you eat, there’s a better option. Take Whole Foods as an example. They have rotisserie chicken there, and each quarter of a bird only has 280 mg of sodium.
Hence, keep in mind that other supermarkets provide a larger and more tasty alternative to Walmart’s rotisserie chicken for the same price if you’re tempted to buy it. Additionally, Whole Foods can be the best option for you if you’re worried about how much sodium you’re consuming.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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